in Books and Catalogs

Hello Bitcoin - It's Probably Time to Start Lighting Things on Fire by Jamie Allen.
–– A transmediale Reader on Post-digital Practices, Concepts, and Institutions. R.Bishop, K.Gansing, J.Parikka, E. Wilk (eds.)
Stenberg Press, Berlin, 2016. pp. 221 - 226.

Investigations on the Cultural Economy of Media Art. Alessio Chierico (ed.)
Digicult Editions 2017.

The Social Life of Money by Nigel Dodd.
Princeton University Press, 2014.
p. 204.

Den här datorn, Olle Essvik och Joel Nordvist (red.)
Rojal Förlag, 2015.
p. 204.

Journals, magazines, reviews.

Interview: PROSPEKT - Organising information is by Regine Debatty, We make money not art

We make money not art

REVIEW: Världen som en oändlig utställning by Sara Arvidsson.

Goteborg Posten

Review: across & beyond – A transmediale Reader on Post-digital Practices, Concepts, and Institutions by Lai-Tze Fan.

In particular, the artist reflections demonstrate imaginary spaces of action. The imaginary spaces of action that ensue can take back critical space, forcing some balance. For instance, Jamie Allen ruminates over Geraldine Juárez’s performative burning of a Bitcoin wallet in the project Hello Bitcoin, through which Juárez is able to wield the destructive power of fire to denature how we think of “value.” Such actions offer ways to understand what remains in the “post”—even if it is ash and soot!

Theory Culture & Society

Review: across & beyond – A transmediale Reader on Post-digital Practices, Concepts, and Institutions by Thomas Keating


In conversation with… #exstrange

The Ashcloud of a Network Information economy by Rachel O'Dwywer

Neural Magazine, Vol 48

Inget är en ö –– Christine Antaya


Medi(a)entusiaster –– Nils Olsson


Show Me The Money: The Image of Finance, 1700 To The Present –– Thomas Hopkin

Corridor 8

Finanskunst by Michael Jeppesen

Artists flash the cash in exhibition about finance –– David Whetstone

The Journal UK

Wu hit it first? 10 absurdly limited records that came before Once Upon A Time In Shaolin –– Twells, Muggs, Ravens

While Wu and their associates might hope that their luxurious single-copy album could be viewed as a work of art, Geraldine Juarez’s satirical Wealth Transfer is actually a fully-fledged gallery piece. Hosted at the Piracy Today exhibition in London in 2013, it was presented as a unique 10” record containing three tracks made from the patterns of three stock market crashes.

FACT Magazine