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    in Books, Catalogs & Journals

    Catalog The Supermarché des Images
    –– Peter Szendy in collaboration with 'Emmanuel Alloa and Marta Ponsa.
    Gallimard/Jeu de Pau,e Paris, 2020. ↩
    Essay Hello Bitcoin - It's Probably Time to Start Lighting Things on Fire by Jamie Allen.
    –– A transmediale Reader on Post-digital Practices, Concepts, and Institutions. R.Bishop, K.Gansing, J.Parikka, E. Wilk (eds.)
    Stenberg Press, Berlin, 2016. pp. 221 - 226. ↩

    Review by Lai-Tze Fan - Theory, Culture and Society ↩
    The Social Life of Money by Nigel Dodd.
    Princeton University Press, 2014.
    p. 204. ↩
    Den här datorn, Olle Essvik och Joel Nordvist (red.)
    Rojal Förlag, 2015.
    p. 204. ↩

    Press: news, magazines, blogs

    [Interview] PROSPEKT - Organising information is never innocent by Regine Debatty, We make money not art

    We make money not art ↩


    [Review] Konståret 2018 av Fredrik Svensk

    Kunstkritikk ↩


    [Review] Världen som en oändlig utställning by Sara Arvidsson.

    Goteborg Posten ↩


    [Review] across & beyond – A transmediale Reader by Lai-Tze Fan

    Theory, Culture and Society ↩


    [Review] across & beyond – A transmediale Reader on Post-digital Practices, Concepts, and Institutions by Thomas Keating

    Furtherfield ↩


    [Review] The Ashcloud of a Network Information economy by Rachel O'Dwywer

    Neural Magazine, Vol 48 ↩


    [Review] Inget är en ö –– Christine Antaya

    Kunstkritikk↩


    [Review] Medi(a)entusiaster –– Nils Olsson

    Kunstkritikk↩


    [Review] Show Me The Money: The Image of Finance, 1700 To The Present –– Thomas Hopkin

    Corridor 8↩


    [Review] Finanskunst by Michael Jeppesen

    Information.dk↩


    [Review] A rtists flash the cash in exhibition about finance –– David Whetstone

    The Journal UK↩


    [Article] Wu hit it first? 10 absurdly limited records that came before Once Upon A Time In Shaolin –– Twells, Muggs, Ravens

    While Wu and their associates might hope that their luxurious single-copy album could be viewed as a work of art, Geraldine Juarez’s satirical Wealth Transfer is actually a fully-fledged gallery piece. Hosted at the Piracy Today exhibition in London in 2013, it was presented as a unique 10” record containing three tracks made from the patterns of three stock market crashes.

    FACT Magazine↩


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